
Edition Festival | Stockholm
collaboration with cellist Okkyung Lee
Recording of performance on Edition https://johnchantler.bandcamp.com/album/the-air-around-her
collaboration with cellist Okkyung Lee
Recording of performance on Edition https://johnchantler.bandcamp.com/album/the-air-around-her
Artist Residency
January 17, 2-5pm
“Constructing a Musical Phrase from the Ground Up” workshop
Fullman offers an introduction to Just Intonation, theory and practice and musical instrument design and construction
January 23, 8pm
“Resonance is Harmony”
Fullman will present two duet collaborations with composer/performers: Kyle Bruckmann, oboe and Luciano Chessa, dan bau
January 30, 8pm
composed works for the Long String Instrument
“Harbors” a collaboration with composer and cellist Theresa Wong.
“Past the Angels” a work for an ensemble of four performing on Fullman’s Long String Instrument using the Box Bow
solo performance, “The Watch, reprise”
performance with students of “Past the Angels” and “Flowers”
“Foghorns” a collaboration with cellist Theresa Wong
presented by the Cleveland Museum of Art, music curator Tom Welsh
New Music Co-Op presents:
Coffee County Tennessee
A Collaborative Composition with Travis Weller
with performer Andrew Stoltz
commissioned by New Music USA
“Foghorns”, a collaborative composition with Theresa Wong
collaborative performance with cellist Okkyung Lee
collaborative performance with Theresa Wong
produced by Takuro Mizuta Lippit a.k.a DJ Sniff
Artist Residency
performance with Charles Curtis, April 5
performance with Konrad Sprenger
collaborative performance with Luciano Chessa, Travis Weller and Theresa Wong
curated by Valerie Cassel Oliver
Travis Weller setting up his “Owl” (foreground) and “Skiffs”
collaboration with Konrad Sprenger
collaboration with Luciano Chessa, Theresa Wong and instrument builder Sung Kim with performer Ryan Jobes
solo performance with 6-channel backing tracks from Konrad Sprenger of his computer-controlled electric guitar
performance with Theresa Wong (cello)
and Detroit musicians Abby Alwin (cello) and James Cornish (trumpet)
performances with CAGE, Cornell Avant-Garde Ensemble and Theresa Wong
collaboration with Okkyung Lee
collaboration with Fred Frith, Jason Hoopes, Gino Robair, Travis Weller
photo: Carly McLane
collaboration with Travis Weller, Brent Farris, Sarah Hennies, Andy Stotz
with
Monique Buzzarté, trombone
Sean Meehan, percussion
David Gamper, electronics
Theresa Wong, cello and box bow
David Douglas, box bow
American Composer's Forum
McKnight Visiting Composer Residency
November 15 Performance with Philip Blackburn & Theresa Wong
November 16 Duet with Theresa Wong
November 17 “Through Glass Panes” performed with students
box bow rehearsal with students
Theresa Wong continues the exploration of our sleeping minds for Southern Exposure and in collaboration with Ellen Fullman, Dohee Lee, Luciano Chessa, Shayna Dunkleman, Michael Carter, Heike Liss and Alice Wu
Live video of Fullman’s face reading cast members’ dream descriptions, projected onto balloons repeatedly blown up and released to fly away
presented by New Music Co-Op
“Through Glass Panes” performed with Travis Weller and Sarah Hennies, box bow
”Flowers” performed with Travis Weller, violin, and Henna Chou, cello
“Developed as Fullman’s homage to the sound of the harmonica in folk music, the box bow created repeated rhythms that jigged along sounding also sometimes like an accordion or a pump organ or a harmonium or a couple of banjoes or even the vestiges of marching band heard from a distance. Its simple harmonies — characterized by big wide open fourths and fifths — bore the unmistakable sounds of early American folk music, at once joyous and plaintive and nostalgic. Though there were seats for the sold-out audience of 250 (the second of two shows last weekend), people were invited to move quietly around the vast turbine hall. And wander they did, some slipping off to far corners, others drawing closer to the musicians. As shadows in the industrial setting grew deeper as the night outside darkened, the audience only seemed to grow more engaged. As the last sounds resonated, people seemingly froze for a moment — venue, musicians and audience by then in perfect synch.
”
Seaholm Power Plant performance release on Important Records https://importantrecords.com/products/imprec336
composed works for ensemble
Emily Packard, violin
Theresa Wong, cello
David Douglas, box bow
Gretchen Jude, box bow
an improvised opera directed by Theresa Wong
featuring:
Theresa Wong: director, cello/voice; Michael Carter: electronics; Luciano Chessa: piano/dan bau
Shayna Dunkleman: percussion; Ellen Fullman: long string instrument
Dohee Lee: percussion/voice; Heike Liss: visual set/video/photography
Kanoko Nishi: koto/bass koto/piano; Alice Wu: costumes